Ooh... feather ruffling. My favorite!
I'm not sure what this is really about now; the lack of 30mm's overall at comps or the lack of medals awarded to 30mm?
Are 30mm pieces lumped in with larger scales/sizes as a single flat class? Will having a separate class/category increase the number of 30mm in the comp or simply result in a table with a lot of empty space? Figure out
why 30mm is under-represented
first. God knows, single piece 30mm flats are certainly cheap, but compare the level of detail - the
paintability (especially for newcomers) - combined with subject and people might feel the need to go larger even if it's more expensive.
Nick, I can see bas-relief and demi-round pieces being in a separate class as they are very close to rounds in their three-dimensionality. I've never considered them as being flat; only the front half of a round. Personally (uh-oh), I don't think their means of production should have anything to do with it. But, I'm a rebel...
Resin versus metal flats is separate issue. I've seen and painted resin flats where the painted relief is every bit as 'flat' as the metal pieces. The increased thickness is on the back side, hence neither painted nor visible. The thickness is there to ease casting and prevent warping. My own sheet plastic base and sculpted putty relief flats are also a case in point. I take great pains to keep them in the realm of flat versus bas-relief. Once they are painted and mounted, the means of production is no visible to the eye.
I would agree that engraving in slate is a
skill, but - to me - only a
different skill set versus someone sculpting a highly detailed 80mm round figure versus someone doing the same level of detail in a 30mm gaming mini. In all cases, these are
learned skills; like painting. Which leads me to...
I've come to realize that painting flats isn't necessarily more difficult; it's just different. The tools, paints, and the mechanics of painting are the same whether you use oils, hobby enamels, or acrylics. Choosing a well engraved, reasonably detailed flat is the first task. Pre-planning in terms of light direction, highlights, and shadows are the second and I find this to be somewhat neglected - even among people who paint flats on a regular basis. Some people try to paint flats like they paint their rounds only to be disappointed. I did that, then started to look at well painted pieces, reading about techniques, and doing some analysis. Instant better. Still not as good as I wanted, but better than I expected.
Dave, I don't think '30mm needs protecting' is the way to go. Protecting implies entrenchment and maintaining the status quo. Perhaps 'promotion' might be a better word - and strategy. With that in mind, and on the assumption that this is not being done already, display a selection of official BFFS recommended 30mm flats for newcomers to get at the next show. Well detailed and well cast are
musts. Show a variety of makers. Show a variety of subjects - various historical eras, sci-fi, fantasy, etc. Tell them where to get them. Show them painted pieces and explain why one piece is artistically better than another. Encourage them to ask questions by registering for the BFFS forums. Promote the flat hobby in general (as you all do already) and the 30mm side in particular, but
be open-minded to the individual's interests.
Cheers,
Glen
(Not a collector, unless it's boobs, butts, and battle-axes. Woof!)